List of churches in the Roman Catholic Diocese of Buffalo - Biblioteka.sk

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List of churches in the Roman Catholic Diocese of Buffalo
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This is a list of current and former Roman Catholic churches in the Roman Catholic Diocese of Buffalo.[1][2]

Buffalo

Current churches

Name Image Location Parish founded Church built Architect Description/Notes
All Saints 127 Chadduck Ave. 1911 1938 Bley & Lyman Original church destroyed by fire in March 1913; services were held in the basement of the parochial school until the current Colonial Revival-style building was complete.[3] The church contains a 1923 Wurlitzer Organ gifted by Ellsworth Statler; it had earlier been installed in the golden ballroom of the Hotel Statler in downtown Buffalo.[4]
Assumption 435 Amherst St. 1888 1914 Schmill & Gould Chronologically Buffalo's third Polish Catholic parish, Assumption was founded to serve the then-newly established Polish enclave in the eastern part of the Black Rock neighborhood, who felt unwelcome at the predominantly-German St. Francis Xavier and for whom the established parishes of St. Stanislaus and St. Adalbert were too distant. The interior features a painted wood ceiling and original artwork by Hungarian-born artist József Varga,[3] and is also the site of the earliest American examples of the sgraffito work of Polish-born muralist Józef Sławiński, executed in 1960.[5] Became home to the congregations of the former St. Elizabeth, St. Francis Xavier, and St. John the Baptist parishes upon their 2007 dissolution as part of the "Journey in Faith and Grace" consolidation program, leaving Assumption the only remaining Catholic church in Black Rock.[6]
Blessed Sacrament 1025 Delaware Ave. 1887; reconstituted 1976 1889; enlarged 1908 Adolphus Druiding (original structure); Albert A. Post (1908 enlargement) Began as a chapel built in 1885 connected to new bishop's residence; services held there were well attended especially by German-Americans from the nearby neighborhood of Cold Spring who had no nearby Catholic church to attend; was made a parish in its own right two years later.[3] Building was slated for a second expansion in 1912 when diocese announced plans to build new cathedral on adjacent lot,[7] to accommodate which the building was lifted from its foundation and rolled 200 feet backward from its original position next to the street; at the time the largest brick church in the U.S. to ever be physically moved. Church is Gothic Revival in style and built of brick and Medina sandstone; interior contains stained glass windows crafted in Innsbruck as well as a pair of altars imported from Italy; one of marble salvaged from then-recently demolished Church of San Salvatore in Thermis, blessed in 590 AD by Pope Gregory the Great and containing a number of relics including pieces of the Holy Cross; the other dating to the 17th century and sourced from the chapel of a church in Rome.[8] Parish dissolved upon completion of new cathedral in 1915 with church building serving as its chapel; reconstituted upon cathedral's demolition.[9]
Blessed Trinity 317 Leroy Ave. 1906 1928 Oakley & Schallmo Originally a mixed Irish and German congregation in a neighborhood then known as the Jammerthal ("valley of woe", so named for its rocky, impossible-to-cultivate soil), Blessed Trinity is most notable for its architecture, having been described as "the finest example of Lombard Romanesque architecture in North America",[10] with multicolored brickwork, exquisite terra cotta ornamentation including 572 decorative corbels depicting "the vices, virtues, graces, sacraments and commandments of the Catholic faith", and an overall design inspired by Pavia Cathedral and the Church of St. Trophime in Arles.[3] Accordingly, it was named a Buffalo city landmark in 1977[11] and added to the National Register of Historic Places in 1978.[12]
Coronation of the Blessed Virgin Mary 374 Dewitt St. 1950 1956 Mortimer J. Murphy Upper West Side parish whose territory was cleaved off that of Annunciation and Nativity; congregation met for six years in the former Ellen Terry Theatre on Grant Street before the dedication of their current church building.[3] Spared from the spate of mergers that characterized the early-2000s "Journey in Faith and Grace" consolidation program due to its status as home of Western New York's Vietnamese Catholic community; Mass is still held in both Vietnamese and English.[13]
Corpus Christi 199 Clark St. 1898 1909 Schmill & Gould The seventh of what would ultimately be fourteen Catholic churches serving Buffalo's Polish-American community, founded due to the rapid population growth in the Broadway-Fillmore neighborhood in the late 19th and early 20th century; however, Corpus Christi's growth stalled in 1929, when 300 homes within the parish's boundaries were demolished to make way for the massive New York Central Terminal.[3] Architecturally, the building is a fine example of Rundbogenstil-influenced Romanesque Revival architecture constructed with Hummelstown brownstone, but is most notable for the exquisite art and statuary in its interior: stained glass windows by Franz Mayer & Co. depicting Polish saints; six fresco paintings on the wall of the clerestory depicting Marian shrines in Poland; a reproduction of Raphael's Disputation of the Holy Sacrament in the semidome of the apse. The church was listed on the National Register of Historic Places in 2007[14] and is also a contributing property to the locally-landmarked Broadway-Fillmore Historic District, established in 2018.[11]
Holy Cross 140 7th St. 1914 1915; enlarged 1931 and 1938 Pascal Cimini, George Dietel (1938 expansion) Parish founded due to northward expansion of Buffalo's West Side Italian-American community; congregation met in former home of West Side Presbyterian Church on Busti Avenue while present church was under construction on a plot of land formerly owned by the Sisters of Mercy. Church sports Gothic design elements typical of the architecture of the era;[15] was dedicated by Father Nelson Baker. 1930s-era expansions to building increased its capacity to 1,200 parishioners. Interior features numerous statues of the Madonna, many brought by immigrants from their former churches in Italy, as well as mural paintings by artist Luigi Avoglio.[3]
Holy Spirit 85 Dakota St. 1910 1930 Edward J. Trautman First parish to serve North Park section of city; congregation remained small initially, though shrine to Saint Rita installed in 1913 made it a notable local pilgrimage site; growth began in earnest at outbreak of First World War due to increased production at nearby automobile and airplane factories connected to war effort. Original frame church sold to Methodist congregation, who moved it to the corner of Delaware Avenue and Wilbury Place[3] (still extant, now home to New Freedom Assembly of God);[16] current building is Modernist in style with simplified Gothic Revival detailing. Linked with St. Margaret church in 2012 after retirement of the latter's priest; both remain independent parishes but now share the same priest.[17]
Our Lady of Charity 1901 S. Park Ave. (Holy Family site), 260 Okell St. (St. Ambrose site and parish office) 2010[18] 1908 (Holy Family site), 1950 (St. Ambrose site); as home of their respective predecessor parishes Lansing & Beierl (Holy Family site), Foit & Baschnagel (St. Ambrose site)[3] Parish founded in 2010 from the merger of three South Buffalo parishes: Holy Family, St. Ambrose, and St. Agatha. Both of the former churches are still used for services; the St. Agatha complex was used by the parish for various purposes and once housed a Head Start preschool, but was sold to a private developer in 2018.[19]
Our Lady of Hope 18 Greenwood Pl. 2009 1901 (as home of predecessor parish Annunciation) Albert A. Post Formed from merger of three West Side parishes: Nativity of the Blessed Virgin Mary, Our Lady of Loretto, and Annunciation. The parish conducts services out of the latter's Gothic Revival former home.[20]
Our Lady of Perpetual Help 115 O'Connell St. 1897 1900 Lansing & Beierl The third chronologically, and only remaining, Catholic parish in Buffalo's Old First Ward, carved out of the territory of St. Brigid and St. Stephen parishes due to persistent population growth in this working-class Irish-American community; many early parishioners worked as scoopers at the nearby grain elevators. Nicknamed "Pet's". Was for many years the traditional endpoint of Buffalo's St. Patrick's Day parade, as well as the first (temporary) home to Bishop Timon-St. Jude High School from 1946-48.[21] A magnificent Gothic Revival building faced in Medina sandstone, with a cruciform floor plan and an imposing but steepleless tower on the west side of the façade (the original design called for one, but it was never completed).[3]
St. Anthony of Padua 160 Court St. 1888 1891; enlarged 1904 Michael Sheehan First Italian Catholic church in Buffalo, serving a community that began arriving in the 1870s, attracted by employment opportunities in waterfront industries on the Lower West Side of the city. The parish became the social center of the local Italian diaspora, and still hosts one Italian-language Sunday Mass a week.[22] The Romanesque Revival style of the exterior contrasts with a Renaissance-inspired interior featuring fresco paintings and marble work by notable ecclesiastical decorator Cesari Antozzi.[3]
St. Bernard 1990 Clinton St. 1907 1954 Mortimer J. Murphy The newer of the two parishes established in the Kaisertown neighborhood, which began as a tight-knit Polish community centered around St. Casimir church but quickly became German-majority (hence the name); St. Bernard was founded to serve the latter ethnicity. Church is Gothic Revival in style and built of Ohio sandstone accented with Indiana limestone.[3] Diocese's 2011 announcement that both St. Bernard and St. Casimir would dissolve and the congregations would fold into Our Lady of Czestochowa in Cheektowaga was partially reversed upon appeal, whereupon Bishop Kmiec decreed that St. Bernard could stay open on an interim basis pending payoff of the parish's debts and would absorb St. Casimir's congregation. However, in 2015, due to a shortage of priests, parish was "linked" with Our Lady of Czestochowa; both remain independent entities but share the same pastor.[23]
SS. Columba-Brigid 75 Hickory St. 1987[24] 2006 George Lukaszewicz[25] Founded through the merger of St. Columba and St. Brigid parishes, the latter of whose church had burned in a 1968 fire; the merged parish met in the former St. Columba church until it, too, burned in 2004. Began sharing ministry team and pooling resources with St. Ann and St. Mary of Sorrows in 1992 as part of reorganization of "central city" parishes[26] before ultimately absorbing both.[27] Their current home is the newest Catholic church building in Buffalo; its construction was controversial given the then-ongoing trend of church closures and parish mergers throughout the city, leaving many architecturally significant buildings vacant and at risk of demolition. The merged SS. Columba-Brigid is notable as the home parish of Sister Karen Klimczak,[28] co-founder of the Bissonnette House, a halfway home for former prisoners named after a Buffalo priest who was murdered by a vagrant in 1987, and who was herself murdered in 2006 by one of the house's residents.[29]
St. John Kanty 101 Swinburne St. 1890 1893 unknown Founded in response to the eastward expansion of Buffalo's East Side Polish-American district; those parishioners who lived in outlying areas had to navigate an at-grade crossing of the busiest railroad line in Buffalo on their way to Mass at St. Stanislaus or St. Adalbert's Basilica, which caused many deaths in the years before the church was founded. Congregation still worships in their original building which was once the social center of the Broadway-Bailey neighborhood; the enormous complex included not only space for worship but also a school, bowling alleys, a gymnasium, and a concert hall where big bands played regularly. It survived fires in 1948 and 1955, the latter a devastating three-alarm blaze that nearly destroyed the building but spared the centerpiece of the church's interior, a life-size carving of the Last Supper that was originally intended for the Basilica of Notre-Dame in Montreal. Interior was completely reconstructed following the 1955 fire and is now Modernist in appearance, in stark contrast to the Gothic Revival exterior.[3]
St. Joseph Cathedral 50 Franklin St. 1847 1855 Patrick Keely Founded in 1847 along with the Diocese of Buffalo itself, which was cleaved off the western portion of the territory of the Archdiocese of New York; construction work began in 1851 after Bishop John Timon's request to use St. Louis as the cathedral church was rebuffed on ethnic grounds (St. Louis's congregation was majority German-American, Timon of Irish descent), and concluded 1863. The building sports a French Gothic-influenced style; its carillon was produced by Bollée Brothers of France and was once considered among the world's best; the interior dates to a 1977 renovation and contains a 3,627-pipe Hook & Hastings organ originally displayed at the 1876 Centennial Exposition in Philadelphia. Basement crypt serves as the final resting place of Bishop Timon as well as three of his successors in that office: Stephen Ryan, Charles Colton,[3] and Edward Head.[30] The building lost its title as seat of the Diocese in 1915 with the construction of the new cathedral on Delaware Avenue but regained it in 1976, when the latter church was demolished.[21] St. Joseph is a contributing property to the locally-landmarked Joseph Ellicott Historic District, established in 1982.[11]
St. Joseph University Parish 3269 Main St. 1849 1926 Bley & Lyman One of the oldest parishes in Buffalo despite its location far from downtown in what was initially the rural hamlet of Elyville; congregation in its early years comprised farmers largely of French and German extraction, and was led alternately by Jesuits who travelled to the parish from St. Michael, itinerant Redemptorist preachers from the North Bush chapel in present-day Tonawanda (including for a time the future Saint John Neumann), and generally a revolving door of ministers at a rate of a new one every couple of years.[7] Stability and growth came with urbanization, the first signs of which began to appear at the end of the 19th century; original wood-framed country church was replaced in 1894 with a larger brick structure, and that in turn with the present building.[3] Church sports a magnificent Norman Gothic Revival design;[31] interior sanctuary is decorated with mural paintings of the life of St. Joseph executed in 1968 by artist George Raggi; altarpiece and statuary imported from Pietrasanta, Italy.[32] Known locally for the diversity of its congregation and, relative to other area Catholic churches, its inclusive atmosphere.[33]
St. Katharine Drexel 133 N. Ogden St. 2007 1960 (as home of predecessor parish St. Francis of Assisi) Albert A. Rumschick[3] Parish formed under the auspices of the "Journey in Faith and Grace" consolidation program from the merger of St. Agnes, Visitation, and St. Francis of Assisi, using the church building formerly belonging to the latter parish.[34]
St. Lawrence 1520 E. Delavan Ave. 1929 1961 Thomas Justin Imbs Traces its history to 1914, when St. Gerard church established a mission to better serve residents of the outer part of its parish territory, namely the Italian settlement on the Far East Side near the city line. Became a parish in its own right in 1929; original church was a small wood-frame building designed by architect Karl Schmill which was expanded in 1930 and again in 1941 before succumbing to fire in 1960.[3] Current church is Modernist in style.
St. Louis 35 Edward St. 1829 (as Lamb of God) 1889 Schickel & Ditmars The earliest Catholic church in Buffalo; given its current name in 1843 after the parish split along ethnic lines (thus giving rise to a longstanding tradition in the Buffalo diocese), with St. Patrick's (Irish), St. Mary Redemptorist (German), and St. Peter's French Church (later Our Lady of Lourdes) seceding during that decade. The current Gothic-style, Medina sandstone building is the third to house the church, completed in 1889; it's most notable for its spire, rising 245 feet above the ground and with a design inspired by those of Cologne Cathedral in Germany, it's reputed to be the tallest open-work spire ever built of unreinforced stone, and the tallest ever built in the United States.[35] The interior contains a Seth Thomas clock donated by Elbridge Gerry Spaulding, a 1903 Kimball organ that was previously housed in the Temple of Music during the Pan-American Exposition of 1901, a marble altarpiece carved by the Lautz Marble Works featuring a life-size statue of Saint Louis IX of France, and stained glass by both the Royal Munich Art Institute and the Reister & Frohe company of Buffalo.[3] The church was named a Buffalo city landmark in 1978[11] and is also a contributing property to the National Register of Historic Places-listed Allentown Historic District, established in 1980.[36]
St. Margaret 1395 Hertel Ave. 1916 1958 Mortimer J. Murphy Bishop Dennis Dougherty named the parish in honor of the late Margaret Bingham, sister of the previous bishop Charles Colton, fulfilling the latter's wishes. Current (third) church building dates to 1958[3] and was designed in a simplified Gothic Revival style with Modernist influences. Predecessor church, erected 1919, was renovated with a Modernist façade upon construction of the current one and housed the parochial school until its closure in 2012; it's now a luxury apartment building, dubbed The Cornelius. Statuary on church grounds depicts Madonna and child as well as Padre Pio of Pietralcina, who is also honored with a small chapel at the east end of the narthex. Stained glass is the work of Jozef Mazur.[37] Linked with Holy Spirit church in 2012; both remain independent parishes but now share the same priest.[17]
St. Mark 415 Woodward Ave. 1908 1917; tower added 1954 Albert A. Post[3] Parish serves Parkside neighborhood and is a contributing property to National Register of Historic Places-listed Parkside East Historic District.[38] Most notable for its architecture; built of Indiana limestone; simplified Gothic Revival design is reminiscent of 15th-century English parish churches. Open, pillarless floor plan in nave, with decorative tile flooring and wainscoting.[39] Linked with St. Rose of Lima church in 2010 as part of diocesan consolidation program; both remain independent parishes but now share the same priest.[40] School remains in operation and ranks among top-rated private elementary schools in Western New York.[41]
St. Martin de Porres 555 Northampton St. 1993 2000 Founded as a merger of the four defunct parishes of Our Lady of Lourdes, St. Boniface, St. Benedict the Moor, and St. Matthew, St. Martin de Porres is the only Catholic church in the Buffalo diocese with a majority-black congregation, and one of only 50 such churches in the United States. The church has its own gospel choir, and its Parish Center is planned to be the future home of the Buffalo African-American Catholic Gospel Music Resource and Recording Center.[42]
St. Martin of Tours 1130 Abbott Rd. 1926 1958 Backus, Crane & Love Church built on a plot of land given to the diocese by the Kinsey Real Estate Company free of charge on the condition that they use it for that purpose, then a common tactic among developers seeking to attract home buyers to newly urbanizing neighborhoods.[3] In 2008, as part of the "Journey in Faith and Grace" restructuring program, the diocese "linked" St. Martin of Tours with St. Thomas Aquinas; they remain independent parishes but now share a pastor.[43]
St. Michael 651 Washington St. 1851 1867; tower added 1876 Patrick Keely[3] Founded by an Alsatian faction that seceded from St. Louis due to dispute over parish finances; church was built on a site that had earlier been considered for the construction of St. Joseph's Cathedral and was operated by the Jesuits, who established Canisius College there in 1870. Building is Romanesque in style,[7] built with a basilica-style floor plan using locally quarried sandstone and limestone. The interior was completely reconstructed after a 1963 fire caused by a lightning strike to the tower[44] and now features a sanctuary with a Modernist-style crucifix and various statuary depicting Saint Michael the Archangel.[45]
St. Rose of Lima 500 Parker Ave. 1926 1965 Leroy H. Welch Founded due to increased urbanization in the western portion of the North Park neighborhood and long distance to other Catholic churches. Upon completion of current church, original 1926 building was repurposed as the parochial school,[3] which closed in 2007;[46] Carmelite nuns also had a convent on the property. Linked with St. Mark church in 2010 as part of diocesan consolidation program; both remain independent parishes but now share the same priest.[40] Most notable for its architecture, belonging to the New Formalist school, wherein traditional elements of church design (T-shaped floor plan, tower, stained glass) are reinterpreted according to Modernist aesthetics. Added to the National Register of Historic Places in 2017.[47]
St. Stanislaus, Bishop and Martyr 348 Peckham St. 1873 1886; towers added 1908 T. O. Sullivan; Schmill & Gould (towers) Known as the "Mother Church of Polonia", founded by developer Joseph Bork for explicit purpose of attracting a Polish-American community to Buffalo; Rev. Jan Pitass was recruited as Buffalo's first Polish-speaking priest. Was the first of fourteen Polish Catholic parishes in Buffalo, seven of which were located in the Broadway-Fillmore neighborhood,[3] and had become the largest in the country by 1905, with nearly 20,000 members and 2,000 students in the parochial school.[48] Church built in Romanesque Revival style of locally-quarried flint and limestone; twin steeples rise to a height of 120 feet; statues above buttresses date to 1910[49] and depict Saints Adalbert of Prague, Hyacinth of Poland, and Matthew the Apostle. Interior is richly decorated with statuary and mural paintings.[50] and contains a restored 1893 Johnson pipe organ.[51]
St. Teresa 1970 Seneca St. 1897 1900; enlarged 1926 Albert A. Post The first Catholic church in the city south of the Buffalo River, established in the wake of a building boom touched off by real estate speculator William Fitzpatrick and catering to a new Irish-American middle class who sought to escape the crowded and crime-ridden conditions of established Irish neighborhoods closer to downtown. Fitzpatrick offered his own home for use as the rectory; it was moved from its original location at the corner of Bailey Avenue.[3] Church is built of rock-faced Medina sandstone in the Late Victorian Gothic style, with the Queen Anne-style rectory and International-style parish hall providing interesting architectural contrast. Listed on the National Register of Historic Places in 2016.[52]
St. Thomas Aquinas 450 Abbott Rd. 1920 1949 Stickle, Kelly & Stickle Parish founded concurrently with South Buffalo's growth as a streetcar suburb, with an Irish-American congregation originally.[3] Most notable for its architecture: church's Umbrian Romanesque design was inspired by that of Santa Maria in Cosmedin, with a façade of pink, orange and white Tennessee quartzite, a red tile roof, and arcaded cloisters connecting it to the campanile and rectory; those buildings as well as former school surround a courtyard with an outdoor altar and a statue of Saint Thomas Aquinas sculpted by artist Julia Porcelli. Interior contains large mosaic mural of Saints Thomas Aquinas and Bonaventure. Listed on the National Register of Historic Places in 2017.[53] In 2008, as part of the "Journey in Faith and Grace" restructuring program, the diocese "linked" St. Thomas Aquinas with St. Martin of Tours; they remain independent parishes but now share a pastor.[43]

Former churches

Zdroj:https://en.wikipedia.org?pojem=List_of_churches_in_the_Roman_Catholic_Diocese_of_Buffalo
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Name Image Location Parish founded Church built Architect Parish defunct Description/Notes
Annunciation 18 Greenwood Pl. 1885 1901 Albert A. Post 2009 The first of what would ultimately be three Roman Catholic parishes on Buffalo's Upper West Side, Annunciation was founded at a time when the neighborhood was only just beginning to urbanize, and in turn its foundation led to the coalescence of a sizable Irish-American community in its environs.[3] With time, the parish's ethnic constitution evolved from Irish-majority to Italian to Hispanic. Merged in 2009 with the neighboring parishes of Our Lady of Loretto and Nativity under the new name Our Lady of Hope, which continues to meet in Annunciation's former home.[20] The former parochial school building was added to the National Register of Historic Places in 2008.[54]
Holy Angels 348 Porter Ave. 1852 1859; enlarged 1874 and 1894 unknown 2020 One of Buffalo's earliest Catholic parishes, established by the Missionary Oblates of Mary Immaculate to serve as the parish church connected to the new Catholic College of Buffalo, a seminary for the training of priests. The building was repeatedly enlarged and altered over the years: the transept, sanctuary, and choir were added in 1874, the chapel on the west side of the building facing Fargo Avenue in 1894, and the interior was redesigned in 1898 and again in 1953, with hand-carved Stations of the Cross imported from Switzerland and new stained-glass windows depicting the Mysteries of the Rosary and Marian apparitions, respectively, added at those times. The parish population began to decline in the 1960s, and,[3] citing financial difficulties, the Diocese of Buffalo closed the church in July 2020 and merged the parish with Holy Cross on Maryland Street and Our Lady of Hope on Greenwood Place.[55]
Holy Apostles SS. Peter & Paul 807 Clinton St. 1909 1909 Schmill & Gould 2007 Parish initially served an East Side Polish-American community employed principally in the factories of the Larkin Soap Company as well as in the stockyards. Colonial-style church was reconstructed after severe damage caused by a December 1921 fire; was the only wooden building in Buffalo in use as a Catholic church at the time of the parish's dissolution[3] due to merger with St. Valentine, St. Stephen, Precious Blood, and SS. Rita and Patrick.[6] Currently headquarters of Peaceprints Prison Ministries.[56]
Holy Family 1901 South Park Ave. 1902 1908 Lansing & Beierl 2010 Parish founded due to rapid population growth in South Buffalo connected with the opening of the Lackawanna Steel Plant just south of the city line.[citation needed] Described as one of the finest examples of Romanesque Revival church architecture in Buffalo; the interior murals (the work of Danish artist Holvag Rambusch) depict scenes from the Book of Kells and the Lindisfarne Gospels, reflective of the traditionally Irish-American ethnic makeup of the congregation, while the sanctuary windows came from the Tiroler Glasmalerei company of Innsbruck.[3] Merged with St. Ambrose and St. Agatha under the auspices of the diocese's "Journey in Faith and Grace" consolidation program to form the new Our Lady of Charity parish;[18] the building still hosts two Sunday masses a week as well as midweek Masses on Monday and Friday.[57]
Holy Name of Jesus 1947 Bailey Ave. 1887 1905 Cyrus K. Porter & Son 2005 Parish served a community of German-Americans, bilingual in English and their native language[7] and largely employed by the railroads that crisscrossed this part of the East Side; original wood-framed church was repurposed for use as parochial school upon completion of the present building and served as such until construction of present school building (1913). Church is in Gothic style, built of St. Lawrence granite and undressed ashlar; steeple atop tower at north end of main façade was removed c. 2009.[58] Interior is intimately proportioned and features a stained glass window in the loft depicting the Holy Family.[3] Parish was one of the first to be dissolved in the diocese's "Journey in Faith and Grace" consolidation program. Now home of New Life Harvest Church of God in Christ.[59]
Immaculate Conception 150 Edward St. 1849 1900; expanded 1925 Max Beierl[3] 2005 Land donated to diocese in 1839 by heirs of prominent citizen Louis LeCouteulx de Caumont () for establishment of an English-speaking parish for the city's Irish-American community; that parish (Old St. Patrick's) was instead sited downtown whereupon property reverted to ownership of LeCouteulx's heirs per terms of donation; diocese regained ownership in 1849 whereupon parish was finally established.[3] Small wood frame church was replaced with larger brick building in 1856 and in turn with present Gothic-style building.[7] Church closed in 2005 due to declining enrollment simultaneously with, but unrelated to, diocese's "Journey in Faith and Grace" parish consolidation program.[60] Now undergoing conversion to Assembly House 150, a "for-profit design and building studio that will help foster a new crop of buildings in the city".[61] Building is a contributing property to the National Register of Historic Places-listed Allentown Historic District, established in 1980.[36]
Immaculate Heart of Mary 375 Edison Ave. 1946 1947 unknown 2009[62] Parish founded to serve the residents of the new Langfield Homes, a public housing project that was erected in the 1940s in the Far East Side on some of the last remaining vacant land in the city[63] and intended as housing for workers in World War II-related industries and, later, for returning veterans and their families. Modernist-style building originally served function of both worship space and social hall;[3] school building next door built in 1950.[64] A rather short-lived parish by diocesan standards; by 2006, three years before the parish's merger with neighboring St. Aloysius Gonzaga in Cheektowaga as part of the final phase of the diocese's "Journey in Faith and Grace" consolidation program, parish population had dwindled to only 160 families.[65] Now Greater Faith Bible Tabernacle, a Pentecostal church with a mostly black congregation.[66]
Nativity of the Blessed Virgin Mary 228 Albany St. 1898 1901 Albert A. Post 2009 Parish founded due to continued population growth on Buffalo's Upper West Side; congregation was initially made up largely of members of newly minted Irish-American middle class relocated from cramped and squalid environs of the First Ward, Buffalo's traditional Irish enclave; as the 20th century wore on, the congregation, along with the neighborhood as a whole, became Italian-majority and later Hispanic. Church is built of Medina sandstone and "controls its corner site with its Gothic exuberance", with notable trefoil patterns in the tracery of the windows above the entrances.[3] Interior once contained an 1853 Hall & Labaugh organ, among the oldest of any church in Buffalo, originally owned by a parish in Yonkers and reinstalled in Buffalo in 1911.[67] As part of diocese's "Journey in Faith and Grace" program, merged with Our Lady of Loretto and Annunciation to form the new Our Lady of Hope parish, which meets in the latter's former church.[20]
Our Lady of Loretto 158 15th St. 1924 1951 Chester Oakley 2009 Parish founded in response to the announcement of a new Presbyterian mission church nearby, which the Buffalo Diocese feared would make inroads among the heavily Catholic Italian community on the West Side of the city. The congregation met in the former Bethany Presbyterian Church until 1949, whereupon construction of the current building began.[3] Our Lady of Loretto merged in 2009 with Nativity and Annunciation parishes, taking on the name Our Lady of Hope, which continues in existence in the former home of the latter.[20] Church building is the final major work of noted Buffalo ecclesiastical architect Chester Oakley,[68] executed in a Modernist style with some elements of late-period Art Deco ornamentation. Occupying the building today is Destiny Church International, a Pentecostal church with a majority-Hispanic congregation.
Our Lady of Lourdes 1109 Main St. 1850 (as St. Peter's French Catholic Church) 1900 A. E. Minks & Sons 1993 Founded as one of the four daughter congregations of Lamb of God, Buffalo's first Catholic parish; worshiped in several sites downtown before constructing the Main Street church, whereupon they took on their ultimate name.[3] Built of Medina sandstone in a style described as "a happy blending of the Romanesque and Renaissance, the Romanesque largely prevailing" and with a relative paucity of exterior ornamentation; inside was initially similarly austere[69] but later sported mural paintings by Italian artist Carlo Antonia Nisita. Owing to the small size of Buffalo's Franco-American community, congregation never grew to match the ample size of their building as many others of the era did; much of its excess space ended up being used for social and athletic facilities open to neighborhood residents, including basketball courts, event space, and a bowling alley.[70] Parish merged with St. Matthew, St. Boniface, and St. Benedict the Moor under the name St. Martin de Porres.[42] The building is currently being remodeled by Ellicott Development into a mix of retail, restaurant, office and residential space.[71]
Our Lady of Mount Carmel No image available 41 Fly St. 1906 1906 unknown 1949 Combination church/school building also contained living space for clergy, lacking a separate rectory;[7] served the poor Sicilian immigrant population of the Canal District, a notorious slum; nonetheless, parade and festival held annually in July on feast of parish's namesake was locally renowned tradition. Parish population peaked at about 1,000 in the 1920s[72] but then declined as those neighborhood residents who could afford better housing began to leave for the Lower West Side; natural gas explosion in 1936 brought local government's attention to poor living conditions in tenements, accelerating exodus from Canal District. Only 90 families remained in parish at the time of its dissolution, immediately following which the church along with the rest of the neighborhood was demolished in what was reputedly one of the first slum clearance schemes in the U.S.[73] The Marine Drive Apartments occupy the site today.
Precious Blood 145 Lewis St. 1898 1899 Albert A. Post 2007 Gothic Revival church building once contained a mural of Christ the King painted in the 1920s by ecclesiastical artist Jozef Mazur on the semidome of the apse. Parish initially comprised a community of mostly Irish- and German-Americans working in the Jacob Dold Packing Plant and similar businesses around the Buffalo stockyards, but was Polish-majority by c. 1910 as that ethnicity came to dominate the meatpacking industry.[3] The Felician Franciscan Sisters were in charge of the school, and a convent was built for them on the property in 1964.[74] The parish merged in 2007 with St. Valentine, St. Stephen, Holy Apostles SS. Peter and Paul, and SS. Rita and Patrick and vacated the building at that time.[6] Now home to an African-American Baptist congregation.[16]
Queen of Peace 1955 Genesee St. 1920 1928 Dietel & Wade 2007 Parish originally served a Polish-American community that, in the years immediately after World War I, had migrated north from the city's main Polish enclave in Broadway-Fillmore. Notable for its architecture; building is in Late Gothic Revival style[75] with a façade of Ohio sandstone accented with Indiana limestone and a floor plan unlike any other Catholic church in Buffalo; a cross-shaped, multipurpose structure encompassing a rectory to the west, a school building to the east, and the worship space itself extending north-to-south between them.[3] Interior once decorated with mural paintings by Jozef Mazur, now painted over.[76] Parish dissolved in wake of the diocese's "Journey in Faith and Grace" parish consolidation program; was purchased in 2009 and is now a mosque and Islamic community center; Jesuit-run parochial school on site remained open for some time thereafter.[77]
Queen of the Most Holy Rosary 1040 Sycamore St. 1913 1917 Władysław Zawadzki 1993 Parish was established by the Buffalo Diocese as a pretext to acquiring the church building formerly belonging to Holy Mother of the Rosary at a foreclosure auction; they were a renegade "independent Catholic" church that, due to longstanding disagreements within the congregation of St. Adalbert, seceded in 1895 not only from the parish but from the Diocese itself; they later aligned with the Polish National Catholic Church. Current building was constructed after Holy Mother of the Rosary won its church back in a subsequent lawsuit.[3] Architecturally, the building is an example of Zawadzki's signature quasi-French Renaissance style[78] with some Gothic Revival elements added.[79] After the parish's 1993 merger with St. Adalbert's Basilica, the building was purchased by Darul Uloom Al-Madania Islamic Seminary for use as its girls' school, known as Darul Rasheed; ironically, they also own the original Holy Mother of the Rosary building too, which is now their mosque.
Sacred Heart 200 Emslie St. 1875 1915 Schmill & Gould 1973 Parish originally served German-American community that had gathered in the Hydraulics neighborhood; worshiped initially in various temporary locations then built a church on Seneca Street in what later became the midst of the Larkin Soap Company's factory complex. Larkin purchased original church in 1912 to facilitate expansion of their operations, whereupon it was vacated by the congregation.[3] Present church built of brick and Ohio sandstone[7] in the Late Gothic Revival style with an imposing tripartite clerestory; complex also included a school, rectory, and Franciscan convent surrounding a courtyard.[80] After parish dissolution, served variously as home to a Ukrainian Orthodox church and Witness Cathedral of Faith; now vacant.[81] School and rectory demolished in 2008 and 2017 respectively; convent and church still extant as of 2019 but at risk of demolition by neglect.[82]
St. Adalbert Basilica 208 Stanislaus St. 1886 1891 Raymond Huber 2011 Second Polish Catholic parish in Buffalo, founded due to overcrowding at St. Stanislaus. Originally envisioned as center of master-planned community including a park, home for the aged, and immigration house; plan abandoned when original church burned down. Infighting among parishioners in 1880s and '90s led to high turnover of pastors and schism leading to foundation of "independent Catholic" parish Holy Mother of the Rosary, later affiliated with Polish National Catholic Church.[3] First church in the United States to be named a basilica (1907). Present church sports Romanesque and Byzantine influences and was largest in Buffalo at the time of its construction. Interior decorated with murals by Jozef Mazur[83] completed in 1925, many of which were removed in a 1976 renovation, as well as stained glass by Franz Mayer & Co. of Munich.[84] Parish merged with St. John Kanty and is now used by them as an oratory.[85]
St. Agatha 65 Abbott Rd. 1909 (as All Souls) 1956 Mortimer J. Murphy 2010 Parish originally known as All Souls; founded to serve the Italian-American community that had coalesced in the western part of the Triangle neighborhood near the railroads where many of them worked, though by 1917 it had become Irish-majority.[86] Original wood-frame church at the corner of Germania and Mystic Streets suffered damage in June 1920 when the floor caved in under the weight of the parishioners at a particularly well-attended Sunday Mass; the congregation was temporarily disbanded pending repairs and was renamed St. Agatha upon its reopening the following year. Austere design of the 1956 combination church/school is owed to the fact that the parish was traditionally small and did not have the need for, nor the financial resources to support, a large and extravagant building such as many parishes in Buffalo had at the time.[3] Merged with Holy Family and St. Ambrose to form the new Our Lady of Charity parish,[18] who later sold the building to developer Sam Savarino. As of 2018, the building is proposed to be converted into apartments, offices, or educational or performing arts space.[19]
St. Agnes 194 Ludington St. 1882 1905 Esenwein & Johnson 2007 The first of what were ultimately three parishes in the neighborhood of Lovejoy, initially serving a mixed German and Irish community attracted to the area by availability of jobs on the railroad; Irish parishioners seceded in 1898 to found Visitation parish. Congregation became majority-Italian after World War II. Church is Romanesque Revival in style[3] and one of few ever to have been designed by the otherwise prolific local firm of Esenwein & Johnson. Stained glass installed 1919-1921 was the work of Otto F. Andrle; six mural paintings by D'Arcangelo Studios once adorned the interior, five of which were removed in 1985. Parish merged with Visitation and St. Francis of Assisi to form the new St. Katharine Drexel parish, which meets in the latter's former home on North Ogden Street.[34] Now a Buddhist temple owned by the International Sangha Bhiksu Buddhist Association.[87]
St. Ambrose 260 Okell St. 1930 1950 Foit & Baschnagel 2010 Established from the southern part of the territory of Holy Family parish; the modest frame church constructed on the site was not replaced with a permanent structure until 1950, due to the economic hardship of the Great Depression and supplies rationing during World War II.[3] The building was designed in a Modernist style and is most notable for its stained glass, created in 1992 by local artist Russell Vacanti; its imagery was inspired by the reforms of the Second Vatican Council and deals with themes such as socioeconomic justice, gun violence, drug abuse, interfaith relations, and others not typically seen in stained glass art. Merged with Holy Family and St. Agatha under the auspices of the diocese's "Journey in Faith and Grace" consolidation program to form the new Our Lady of Charity parish;[18] the building still hosts two Sunday masses a week, as well as Saturday evening vigil and midweek Masses on Tuesday, Wednesday and Thursday.[57]
St. Ann 651 Broadway 1858 1886