Hans Holbein the Younger (c. 1497–1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.^[1] He also made a significant contribution to the history of book design, and produced religious art, satire, and Reformation propaganda.

Born in Augsburg, Holbein worked mainly in Basel as a young artist, painting murals and religious works and drawing designs for stained glass and printed books. He produced the occasional portrait, and made his international mark with portraits of the famous humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein produced works for reformist clients while continuing to serve traditional religious patrons. His late-Gothic style was influenced by artistic trends in Italy, France and the Netherlands, as well as by Renaissance humanism, resulting in a combined aesthetic that was uniquely his own.

Holbein travelled to England in 1526 in search of work, armed with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he soon built a high reputation. After returning to Basel for four years, in 1532 he resumed his career in England, where he worked for Anne Boleyn and Thomas Cromwell, and was appointed King's Painter to Henry VIII. In this role, he produced designs for jewellery, plates, and other precious objects, as well as for festive decorations. His portraits of the king and his family and courtiers provide a vivid record of a brilliant court, during a momentous period when Henry was assuming power as the Supreme Head of the English church.

Paintings

Zdroj:https://en.wikipedia.org?pojem=List_of_paintings_by_Hans_Holbein_the_Younger
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Work	Description	Date	Medium	Size	Location
	Head of a Female Saint, attributed to Holbein[2]	c. 1515–16	Oil and tempera on spruce wood	23.5 × 21.5 cm	Kunstmuseum Basel
	Head of a Male Saint, attributed to Holbein[2]	c. 1515–16	Oil and tempera on spruce wood	23.5 × 21.5 cm	Kunstmuseum Basel
	Portrait of Jakob Meyer zum Hasen[3]	1516	Oil and tempera on limewood	38.5 × 31 cm	Kunstmuseum Basel
	Portrait of Dorothea Meyer, wife of Jakob Meyer zum Hasen[4]	1516	Oil and tempera on limewood	38.5 × 31 cm	Kunstmuseum Basel
	Signboard for the Schoolmaster Oswald Myconius (with Ambrosius Holbein)[5]	1516	Oil and tempera on pine panel	55.5 × 65.5 cm	Kunstmuseum Basel
	Adam and Eve[6]	1517	Oil and tempera on paper mounted on pine	30.2 × 35.7 cm	Kunstmuseum Basel
	Portrait of Benedikt von Hertenstein[7]	1517	Oil and tempera on paper mounted on wood	52.4 × 38.1 cm	Metropolitan Museum of Art, New York
	Portrait of Bonifacius Amerbach[8]	1519	Oil and tempera on pine	28.5 × 27.4 cm	Kunstmuseum Basel
	Oberried Altarpiece, The Adoration of the Magi, left panel[9]	c 1520	Oil and tempera on pine	230 × 109 cm	University Chapel of the Cathedral, Freiburg im Breisgau
	Oberried Altarpiece, The Birth of Christ, right panel[9]	c 1520	Oil and tempera on pine	230 × 109 cm	University Chapel of the Cathedral, Freiburg im Breisgau
	The Body of the Dead Christ in the Tomb[10]	1521–22	Oil and tempera on limewood	30.6 × 200 cm	Kunstmuseum Basel
	The Solothurn Madonna[11]	1522	Oil and tempera on limewood	140.5 × 102 cm	Kunstmuseum Solothurn
	Portrait of Johannes Froben[12]	c 1522–23	Oil on panel	48.8 × 32.4 cm	Royal Collection
	Portrait of Erasmus of Rotterdam writing[13]	1523	Oil and tempera on paper mounted on pine	36.8 × 30.5 cm	Kunstmuseum Basel
	Portrait of Erasmus of Rotterdam writing[14]	1523	Oil and tempera on wood	43 × 33 cm	Louvre, Paris
	Portrait of Erasmus of Rotterdam[15]	1523	Oil and tempera on wood	76 × 51 cm	National Gallery, London, on loan from Longford Castle
	Printer's Device of Johannes Froben[16]	c 1523	Tempera on canvas, heightened with gold	44 × 31 cm	Kunstmuseum Basel
	Allegory of the Old and New Law[17]	Unknown date between 1524 and 1535	Oil and tempera on oak	49 × 60 cm	National Gallery of Scotland, Edinburgh
	The Passion altarpiece, the two left panels[18]	c. 1524–25	Oil and tempera on limewood	136 × 31 cm and 149.5 × 31 cm	Kunstmuseum Basel
	The Passion altarpiece, the two right panels[18]	1524–25	Oil and tempera on limewood	149.5 × 31 cm and 136 × 31 cm	Kunstmuseum Basel
	The Last Supper[19]	c 1524–25	Oil and tempera on limewood	115.5 × 97.3 cm	Kunstmuseum Basel
	Lais of Corinth[20]	1526	Oil and tempera on limewood	34.6 × 26.8 cm	Kunstmuseum Basel
	Portrait of a Man with a Lute[21]	c. 1526–27	Oil and tempera on oak	43.5 × 43.5 cm	Berlin State Museums
	The Darmstadt Madonna (the Madonna of Jakob Meyer zum Hasen)[22]	1526 and 1528–30	Oil and tempera on limewood	146.5 × 102 cm	Johanniterkirche, Schwäbisch Hall
	Noli me Tangere[23]	Unknown date, perhaps 1526 to 1528	Oil and tempera on oak	76.8 × 94.9 cm	Royal Collection
	Portrait of Sir Thomas More[24]	1527	Oil and tempera on oak	74.2 × 59 cm	Frick Collection, New York
	Portrait of William Warham, Archbishop of Canterbury[25]	1527	Oil and tempera on oak	82 × 67 cm	Louvre, Paris
	Portrait of Sir Henry Guildford[26]	1527	Oil and tempera on oak	82.6 × 66.4 cm	Royal Collection, Windsor Castle
	Portrait of Mary, Lady Guildford[27]	1527	Oil and tempera on oak	87 × 70.5 cm	Saint Louis Art Museum, Saint Louis, Missouri
	Portrait of a Lady with a Squirrel and a Starling[28]	c. 1527–28	Oil and tempera on oak	54 × 38.7 cm	National Gallery, London
	Portrait of Thomas Godsalve and his son John[29]	1528	Oil and tempera on oak	35 × 36 cm	Gemäldegalerie Alte Meister, Dresden
	Portrait of Nikolaus Kratzer[30]	1528	Oil and tempera on oak	83 × 67 cm	Louvre, Paris
	Portrait of the Artist's Family[31]	c. 1528–29	Oil and tempera on paper, cut out and mounted on wood	79.4 × 64.7 cm	Kunstmuseum Basel
	Rehoboam, fragment of wall painting[32]	1530	Painting on plaster	28 × 41.5 cm	Kunstmuseum Basel
	Miniature Portrait of Erasmus of Rotterdam[33]	c. 1532	Oil and tempera on limewood	10 cm diameter	Kunstmuseum Basel
	Portrait of Hermann von Wedigh[34]	1532	Oil and tempera on wood	42.2 × 32.4 cm	Metropolitan Museum of Art, New York
	Portrait of the Merchant Georg Gisze[35]	1532	Oil and tempera on oak	90.3 × 85.7 cm	Berlin State Museums
	Portrait of Thomas Cromwell[36]	c. 1532–33	Oil and tempera on oak	76 × 61 cm	Frick Collection, New York
	A Merchant of the German Steelyard: 'Hans of Antwerp'[37]	c. 1532–33	Oil and tempera on oak	61 × 46.8 cm	Royal Collection
	Portrait of a Woman in a White Coif[38]	c. 1532–34	Oil and tempera on oak	23.4 × 18.8 cm	Detroit Institute of Arts
	Portrait of William Reskimer[39]	c. 1532–34	Oil and tempera on oak	46.4 × 33.7 cm	Royal Collection, Windsor Castle
	Miniature Portrait of Philipp Melanchthon[40]	c. 1530–1535	Oil and tempera on oak	9 cm diameter	Lower Saxony State Museum, Hanover
	Miniature Portrait of a Man in a Red Cap[41]	c. 1532–35	Oil and tempera on wood	9.5 cm diameter	Metropolitan Museum of Art, New York
	Miniature Portrait of George Nevill, 5th Baron Bergavenny[42]	c. 1532–35			Duke of Buccleuch collection
	Portrait of Derich Born[43]	1533	Oil and tempera on oak	60.3 × 45 cm	Royal Collection, Windsor Castle
	Derich Born[44]	c. 1533	Oil and tempera on red beech	13.1 cm diameter	Alte Pinakothek, Munich
	Portrait of Robert Cheseman[45]	1533	Oil and tempera on oak	59 × 62.5 cm	Mauritshuis, The Hague
	Portrait of Hermann Hillebrandt de Wedigh[46]	1533	Oil and tempera on oak	42.1 × 32.6 cm	Gemäldegalerie, Berlin
	Portrait of Dirk Tybis[47]	1533	Oil and tempera on oak	48 × 35 cm	Kunsthistorisches Museum, Vienna
	Portrait of Cyriacus Kale[48]	1533	Oil and tempera on oak	60 × 44 cm	Herzog Anton Ulrich Museum, Braunschweig
	Double Portrait of Jean de Dinteville and Georges de Selve ("The Ambassadors")[49]	1533	Oil and tempera on oak	207 × 209 cm	National Gallery, London
	Portrait Miniature of a Young Man with a Pink[50][51]	1533	Oil on oak	12.4 × 12.1 cm	Upton House, Bearsted Collection
	Portrait of Sir Brian Tuke[52]	c. 1533–35	Oil and tempera on oak	49.1 × 38.5 cm	National Gallery of Art, Washington, D. C.
	E Cosi Desio me Mena, Allegory of Love[53]	c. 1533–36	Oil on oak in lozenge format	45 × 45 cm	J. Paul Getty Museum, Los Angeles
	Miniature Portrait of a Court Official[54]	1534	Oil and tempera on limewood	12 cm diameter	Kunsthistorisches Museum, Vienna
	Miniature Portrait of a Court Official's Wife[54]	1534	Oil and tempera on limewood	12 cm diameter	Kunsthistorisches Museum, Vienna
	Portrait of Charles de Solier, Sieur de Morette[55]	1534–35	Oil and tempera on oak	92.5 × 75.4 cm	Gemäldegalerie Alte Meister, Dresden
	Solomon and the Queen of Sheba[56]	c. 1534–35	Pen and brush in bistre and grey wash, heightened in white, gold, and oxidised silver with red and green watercolour over black chalk on vellum	22.9 × 18.2 cm	Royal Library, Windsor