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This is an incomplete list of paintings by the French neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867). Although he considered himself a classicist in the tradition of Nicolas Poussin and Jacques-Louis David and had a longstanding rivalry with Eugène Delacroix, some of his later works included elements of romanticism and orientalism. Despite his desire to be seen as a great history painter, traditionally viewed as the most important genre of painting, it is his portraits, both painted and drawn, rather than his history paintings that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists.
In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters, particular Raphael—was fully developed, and would change little for the rest of his life. He was finally recognized at the Salon in 1824, when his Raphaelesque painting, The Vow of Louis XIII, was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France.
List
Paris (1800-1806)
Source:[1]
Image | Title | Date | Current location | Dimensions (in cm's) |
---|---|---|---|---|
Antiochus | 1800 | Destroyed by fire in 1871 | 109.9 x 154.9 | |
Pierre-Francois Bernier | 1800 | Private collection | 46.3 x 38.1 | |
Study of a Male Nude | 1800 | École nationale supérieure des Beaux-Arts, Paris | 100 x 80 | |
Male Torso | 1800 | Musée Ingres, Montauban | 99 x 80 | |
The Ambassadors of Agamemnon in the tent of Achilles | 1801 | École nationale supérieure des Beaux-Arts, Paris | 110 x 155 | |
The Envoys of Agamemnon | 1801 | Nationalmuseum, Stockholm | 25 x 32.5 | |
Academic Study of a Male Torso | 1801 | National Museum, Warsaw | 97.5 x 80.6 | |
Male Nude | 1801 | Musée Ingres, Montauban | 78.1 x 54.9 | |
Male Nude | 1801 | Musée Ingres, Montauban | 78.1 x 54.9 | |
The Comtesse de la Rue | 1804 | Foundation E.G. Bührle, Zürich | 28.9 x 22.9 | |
Bonaparte, First Consul | 1804 | Curtius Museum, Liège | 226 x 144 | |
Portrait of Jean-Pierre-François Gilibert | 1804 | Musée Ingres, Montauban | 100 x 91 | |
Portrait of Jean-Marie-Joseph Ingres, the Painters Father | 1804 | Musée Ingres, Montauban | 55 x 47 | |
Self-Portrait Aged 24 | 1804 | Musée Condé, Chantilly | 77 x 61 | |
Self-Portrait Aged 24[a] | 1850-60 | Metropolitan Museum of Art, New York | 86.4 x 69.9 | |
Portrait of Yong Man with an Earring | 1804 | Musée Ingres, Montauban | 40.9 x 33 | |
Portrait of Belvèze-Foulon | 1805 | Musée Ingres, Montauban | 55 x 46 | |
The Engraver Desmarets | 1805 | Musée des Augustins, Toulouse | 65 x 54.5 | |
Portrait of Philibert Rivière | 1805 | Louvre, Paris | 116 x 88.9 | |
Portrait of Marie-Françoise Rivière | 1805 | Louvre, Paris | 117 x 82 | |
Mademoiselle Caroline Rivière | 1806 | Louvre, Paris | 100 x 70 | |
La Belle Zélie (Portrait of Madame Aymon) | 1806 | Musée des Beaux-Arts de Rouen | 59 x 49 | |
Portrait of Lorenzo Bartolini | 1806 | Musée Ingres, Montauban | 98 x 80 | |
Napoleon I on His Imperial Throne | 1806 | Musée de l'Armée, Paris | 259 x 162 | |
Venus, Wounded by Diomedes, Returns to Olympus | Kunstmuseum Basel | 26.6 x 32.6 | ||
Copy of a Detail from Poussin's Eliezer and Rebecca | Musée des beaux-arts de Marseille | 46 x 37 | ||
Portrait of Couderc-Gentillon | Private collection | 54.9 x 46 | ||
Portrait of Talma | Private collection | 45 x 34.9 | ||
Portrait of Baron Joseph-Pierre Vialetès de Mortarieu | 1806 | Norton Simon Museum, Pasadena | 61.2 x 50.2 |
Italy (1806-1824)
Image | Title | Date | Current location | Dimensions (in cm's) |
---|---|---|---|---|
The Half-Length Bather | 1807 | Musée Bonnat, Bayonne | 51 x 42.5 | |
The Orangerie at the Villa Borghese | 1807 | Musée Ingres, Montauban | 17 x 17.5 | |
Le Aurora Casino of the villa Ludovisi | 1807 | Musée Ingres, Montauban | 17 x 17.5 | |
Portrait of Madame Duvaucey | 1807 | Musée Condé, Chantilly | 76 x 59 | |
Portrait of Madame Duvaucey | 1807 | Musée Bonnat, Bayonne | 29 x 23.5 | |
Raphael's Casino in Rome | 1807 | Musée des Arts Décoratifs, Paris | 14.9 diameter | |
Portrait of François Marius Granet | 1807 | Musée Granet, Aix-en-Provence | 75 x 53 | |
Old Man Seated | 1807 | Musée Granet, Aix-en-Provence | 69.8 x 53 | |
The Valpinçon Bather | 1808 | Louvre, Paris | 146 x 97.5 | |
A Sleeping Odalisque | Victoria and Albert Museum | 29.8 x 47.6 | ||
The Sleeping Woman of Naples | Unknown[b] | |||
Oedipus and the Sphinx | 1808-27 | Louvre, Paris | 189 x 144 | |
Oedipus and the Sphinx | 1826 | National Gallery, London | 17.5 x 13.7 | |
Head of a Bearded Man | 1808 | Musée Granet, Aix-en-Provence | 33 x 24.1 | |
Fair Haired Girl with Blue Eyes | Private collection | 26.3 x 20 | ||
Copy of Raphael's "Eve Tempting Adam with the Forbidden Fruit" | 1809 | Musée Ingres, Montauban | 92 x 56 | |
Copy of the Heads of a Woman and Children in Raphael's "Mass of Bolsena" | 1809 | Musée Ingres, Montauban | 53 x 40 | |
Portrait of Charles Marcotte | 1810 | National Gallery of Art, Washington, D.C. | 93.7 x 69.4 | |
Portrait of Jean-Baptiste Desdéban | 1810 | Musée des Beaux-Arts et d'Archéologie de Besançon | 60 x 47 | |
Portrait of Joseph-Antoine Moltedo | 1810 | Metropolitan Museum of Art, New York | 75.2 x 58.1 | |
Jupiter and Thetis | 1811 | Musée Granet, Aix-en-Provence | 324 x 260 | |
Head of Jupiter | Unknown | 47 x 39 | ||
Head of Jupiter in Profile | Private collection | 47.9 x 40 | ||
Portrait of Edmé Bochet | 1811 | Louvre, Paris | 94 x 69 | |
Portrait of Madame Panckoucke | 1811 | Louvre, Paris | 93 x 68 | |
Portrait of Charles-Joseph-Laurent Cordier | 1811 | Louvre, Paris | 90 x 69.5 | |
Portrait of Hippolyte-François Devillers | 1811 | Private collection | 99 x 80 | |
Portrait of Dr. De France | Private collection | 61.9 x 50.2 | ||
Portrait of Paul Lemoyne | 1811 | Nelson-Atkins Museum of Art, Kansas City | 47.1 x 36.5 | |
Portrait of Monsieur de Norvins | 1811 | National Gallery, London | 97 x 78 | |
Romulus' Victory Over Acron | 1812 | École des Beaux-Arts, Paris | 276 x 530 | |
Virgil reading The Aeneid before Augustus, Livia and Octavia | 1812 | Musée des Augustins, Toulouse | 307 x 326 | |
Portrait of the Countess of Tournon | 1812 | Philadelphia Museum of Art | 92.5 x 73.2 | |
The Betrothal of Raphael and the Niece of Cardinal Bibbiena | 1813 | Walters Art Museum, Baltimore | 59.1 x 46.5 | |
The Dream of Ossian | 1813 | Musée Ingres, Montauban | 348 x 275 | |
Raphael and La Fornarina | 1813 | Fogg Museum, Cambridge | 64.8 x 53.3
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