María Cervantes

María Cervantes (30 November 1885 – 8 February 1981) was a Cuban pianist, singer, and composer.^[1]^[2]

Biography

María Cervantes was born on 30 November 1885 in Havana. She learned music from her father Ignacio Cervantes Kawanag (1847–1905), ^[3]^[1] who was a well-known musician^[4] and "one of the first to use native Cuban music in his compositions".^[5]^[6]^[7] She also studied music from Gonzalo Nunez and Enriqueta Garcia.^[8]^[1]

She made records in the United States.^[1] She interpreted her father’s danzas,^[9] which was composed for her but “he was never able to find the logic to finish it.”^[10]

She was active as a musician until her death on 8 February 1981 in Havana.^[1]

References

^ ^a ^b ^c ^d ^e Orovio, Helio (12 March 2004). Cuban Music from A to Z. Durham, North Carolina: Duke University Press. p. 50. ISBN 978-0-822-33212-1. Retrieved 20 April 2022.
^ Sublette, Ned (2007). Cuba and Its Music: From the First Drums to the Mambo. Chicago, Illinois: Chicago Review Press. p. 154. ISBN 978-1-569-76420-6. Retrieved 20 April 2022.
^ Sublette 2007, p. 387.
^ Carpentier, Alejo (2001). Music in Cuba. Minneapolis, Minnesota: University of Minnesota Press. p. 206. ISBN 978-0-816-63229-9. Retrieved 20 April 2022.
^ Ficher, Miguel (16 October 2002). Latin American Classical Composers: A Biographical Dictionary. Lanham, Maryland: Scarecrow Press. p. 132. ISBN 978-1-461-66911-1. Retrieved 20 April 2022.
^ Olsen, Dale (17 December 2007). The Garland Handbook of Latin American Music. Oxon: Routledge. p. 122. ISBN 978-1-135-90008-3. Retrieved 20 April 2022.
^ Smith, Joseph (1 January 2003). Tangos, milongas and other Latin-American dances: for solo piano. North Chelmsford, Massachusetts: Courier Corporation. p. iv. ISBN 978-0-486-42787-4. Retrieved 20 April 2022.
^ Ficher 2002, p. 131.
^ Sublette 2007, p. 491.
^ Sublette 2007, p. 300.

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[auto-1] Orovio, Helio (12 March 2004). Cuban Music from A to Z. Durham, North Carolina: Duke University Press. p. 50. ISBN 978-0-822-33212-1. Retrieved 20 April 2022.

[2] Sublette, Ned (2007). Cuba and Its Music: From the First Drums to the Mambo. Chicago, Illinois: Chicago Review Press. p. 154. ISBN 978-1-569-76420-6. Retrieved 20 April 2022.

[FOOTNOTESublette2007387-3] Sublette 2007, p. 387.

[4] Carpentier, Alejo (2001). Music in Cuba. Minneapolis, Minnesota: University of Minnesota Press. p. 206. ISBN 978-0-816-63229-9. Retrieved 20 April 2022.

[5] Ficher, Miguel (16 October 2002). Latin American Classical Composers: A Biographical Dictionary. Lanham, Maryland: Scarecrow Press. p. 132. ISBN 978-1-461-66911-1. Retrieved 20 April 2022.

[6] Olsen, Dale (17 December 2007). The Garland Handbook of Latin American Music. Oxon: Routledge. p. 122. ISBN 978-1-135-90008-3. Retrieved 20 April 2022.

[7] Smith, Joseph (1 January 2003). Tangos, milongas and other Latin-American dances: for solo piano. North Chelmsford, Massachusetts: Courier Corporation. p. iv. ISBN 978-0-486-42787-4. Retrieved 20 April 2022.

[FOOTNOTEFicher2002131-8] Ficher 2002, p. 131.

[FOOTNOTESublette2007491-9] Sublette 2007, p. 491.

[FOOTNOTESublette2007300-10] Sublette 2007, p. 300.

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