A | B | C | D | E | F | G | H | CH | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9
| 58th National Film Awards | |
|---|---|
 58th National Film Awards | |
| Awarded for | Best of Indian cinema in 2010 |
| Awarded by | Directorate of Film Festivals |
| Presented by | Pratibha Patil (President of India) |
| Announced on | 19 May 2011 |
| Presented on | 9 September 2011 |
| Site | Vigyan Bhavan, New Delhi |
| Hosted by | Mahi Gill and Rajat Kapoor |
| Official website | dff.nic.in |
| Highlights | |
| Best Feature Film | Adaminte Makan Abu |
| Best Non-Feature Film | Germ |
| Best Book | From Rajahs and Yogis to Gandhi and Beyond |
| Best Film Critic | • N. Manu Chakravarthy • Joshy Joseph |
| Dadasaheb Phalke Award | K. Balachander |
| Most awards | Aadukalam (6) |
The 58th National Film Awards, presented by Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India to felicitate the best of Indian Cinema for the year 2010.[1][2]
The selection process started by announcing the invitation for the awards on 18 March 2011.[3] For feature and non-feature films, all the films certified by Central Board of Film Certification, India between 1 January 2010 and 31 December 2010 were made eligible whereas for the best writing on cinema, all the books and articles as well reviews on Indian cinema published between 1 January 2010 and 31 December 2010 were made eligible for the awards.[4]
Three different committees were instituted in order to judge the various entries for feature film, non-feature film and best writing on cinema sections; headed by J. P. Dutta, for feature films and A. K. Bir along with Ashok Vajpeyi for non-feature films and best writing on cinema sections, respectively. Another committee of five members was also constituted for the Dadasaheb Phalke Award, having included two past Dadasaheb Phalke Award recipient, Shyam Benegal and Adoor Gopalakrishnan.
Each chairperson for feature film, non-feature film and best writing on cinema sections announced the award on 19 May 2011[5][6] for their respective sections and award ceremony took place at Vigyan Bhavan, New Delhi with President of India, Pratibha Patil giving away the awards on 9 September 2011.[7][8]
Awards
Awards were divided into feature films, non-feature films and books written on Indian cinema.
Lifetime Achievement Award
The award is given to a prominent personality from the Indian film industry for their contribution.
Juries
A committee consisting five eminent personalities from Indian film industry was appointed to evaluate the lifetime achievement award, Dadasaheb Phalke Award. Following were the jury members:[1]
- Jury Members
| • Shyam Benegal |
| • Adoor Gopalakrishnan |
| • Prasoon Joshi |
| • Shaji N. Karun |
| • Raghu Rai |
| Name of Award | Image | Awardee(s) | Awarded As | Awards |
|---|---|---|---|---|
| Dadasaheb Phalke Award | 
|
K. Balachander[9][10] | Director and Producer | Swarna Kamal, ₹ 1,000,000 and a Shawl |
Feature films
Films made in any Indian language shot on 16 mm, 35 mm or in a wider gauge or digital format but released on a film format or video/digital but certified by the Central Board of Film Certification as a feature film or featurette are eligible for Feature Film section.
Feature films were awarded at All India as well as regional level. For 58th National Film Awards, a Malayalam film, Adaminte Makan Abu won the National Film Award for Best Feature Film; whereas a Tamil film, Aadukalam won the maximum number of awards (6). Following were the awards given in each category:[1][2][5]
Juries
A committee headed by J. P. Dutta was appointed to evaluate the feature films awards. The selection process returned to a Two Tier System of Selection. The Chairperson for the Northern Region was Nirad N. Mohapatra, for the Western Region, Chandraprakash Dwivedi, for South–I Region, Arunoday Sharma, for the Eastern Region, J. F. C. Durai and for South- II Region, Ansu Ranjan Sur. Following were the jury members:[1]
- Jury Members
- J. P. Dutta (Chairperson) • Ansu Ranjan Sur • Arunoday Sharma • Bharat Bala • Chandraprakash Dwivedi
- G. S. Bhaskar • J. F. C. Durai • K. N. T. Sastry • Keval Arora • Nirad N. Mohapatra • Prahlad Kakkar
- Jury Regional : East
- J. F. C. Durai • Nirmal Dhar • T. Krishnan Unni • Pranab Das • Suman Haripriya
- Jury Regional : West
- Chandraprakash Dwivedi • Sukumar Jatania • Aijaz Khan • Rajiv Vijayakar • Purushottam Berde
- Jury Regional : North
- Nirad N. Mohapatra • Chitraarth • M. M. Alex • Jeetendra Suman • Manjul Sinha
- Jury Regional : South-I
- Arunoday Sharma • K. S. Gomatam • Gnana Rajasekaran • K. G. George • Akkineni Kutumba Rao
- Jury Regional : South-II
- Ansu Ranjan Sur • B. S. Lingadevaru • D. V. Narasa Raju • N. Manu Chakravarthy • Meenakshi Shedde
All India Award
Following were the awards given:[1][2][5]
Golden Lotus Award
Official name: Swarna Kamal[1][2][5]
All the awardees are awarded with 'Golden Lotus Award (Swarna Kamal)', a certificate and cash prize.
| Name of Award | Name of Film | Language | Awardee(s) | Cash Prize |
|---|---|---|---|---|
| Best Feature Film | Adaminte Makan Abu | Malayalam | Producer: Salim Ahamed and Ashraf Bedi director: Salim Ahamed |
₹ 2,50,000/- Each |
| Citation: For a simple yet evocative articulation of humanist values that liberates matters of faith from the constrictions of narrow parochialism. The concerns of Abu, son of Adam, are timeless and universal in their scope and appeal. | ||||
| Best Debut Film of a Director | Baboo Band Baaja | Marathi | Producer: Nita Jadhav Director: Rajesh Pinjani |
₹ 1,25,000/- Each |
| Citation: For narrating a riveting tale of a father reluctant to educate his son, a mother who fiercely believes in its liberatory value of education, and the son who is caught in the crossfire. ‘Baboo’ is an outstanding debut project by director. | ||||
| Best Popular Film Providing Wholesome Entertainment | Dabangg | Hindi | Producer: Arbaaz Khan, Malaika Arora Khan and Dhillin Mehta Director: Abhinav Singh Kashyap |
₹ 2,00,000/- Each |
| Citation: For responding to the need of cinegoers for "mast" entertainment that is rooted in Indian soil. | ||||
| Best Children's Film | Hejjegalu | Kannada | Producer: Basanta Kumar Patil Director: P. R. Ramadas Naidu |
₹ 1,50,000/- Each |
| Citation: For the tale of a little girl who cheerfully takes on her little shoulders the challenge of preserving the fabric of her family. | ||||
| Best Direction | Aadukalam | Tamil | Vetrimaaran | ₹ 2,50,000/- |
| Citation: For narrating with panache and a realistic cinematic grammar, a gritty tale of love, jealousy and betrayal in the midst of blood-sport and violence. | ||||
Silver Lotus Award
Official name: Rajat Kamal[1][2][5]
All the awardees are awarded with 'Silver Lotus Award (Rajat Kamal)', a certificate and cash prize.
| Name of Award | Name of Film | Language | Awardee(s) | Cash Prize |
|---|---|---|---|---|
| Best Feature Film on National Integration | Moner Manush | Bengali | Producer: Gautam Kundu Director: Gautam Ghose |
₹ 1,50,000/- Each |
| Citation: For celebrating the union of the human spirit with the divine, and realizing the inner, mystical dimension through the life and song of one of the foremost mystic minstrels from Bengal, a Sufi poet in the Baul tradition. | ||||
| Best Film on Other Social Issues | Champions | Marathi | Producer: Aishwarya Narkar Director: Ramesh More |
₹ 1,50,000/- Each |
| Citation: For a soul-stirring saga of two young brothers located in a world of deprivation, forced to fend each other and their mother even as their thirst for education surpasses the pangs of hunger. | ||||
| Best Film on Environment / Conservation / Preservation | Bettada Jeeva | Kannada | Producer: Basanta Kumar Patil Director: P. Sheshadri |
₹ 1,50,000/- Each |
| Citation: For the charming narrative of an old couple as they bravely harness the wilderness to nurture their young plantation, and yearn for the return of their only son. | ||||
| Best Actor | Citation for the award: Two riveting performances that fuse character and actor in one. | |||
| Aadukalam | Tamil | Dhanush | ₹ 50,000/- Each | |
| Citation: For the nuanced portrayal of a raw, cocky young man who learns his lessons in life the hard way. | ||||
| Adaminte Makan Abu | Malayalam | Salim Kumar | ||
| Citation: For an evocative, restrained performance as a simple man with an unshakeable humanist faith in his quest for salvation. | ||||
| Best Actress | Citation for the award: For the portrayal of two mothers struggling to better the lives of their children in the face of untold hardship. | |||
| Baboo Band Baaja | Marathi | Mitalee Jagtap Varadkar | ₹ 50,000/- Each | |
| Citation: For portraying with finesse a mother who strives to achieve for her son a better future than the one denied to her by circumstances. | ||||
| Thenmerku Paruvakaatru | Tamil | Saranya Ponvannan | ||
| Citation: For playing a fiercely combative single mother who shields her son to the point of sacrificing herself for the sake of his happiness. | ||||
| Best Supporting Actor | Mynaa | Tamil | Thambi Ramaiah | ₹ 50,000/- |
| Citation: For a heart-warming performance as a policeman who discovers the finer side of his own humanity in the process of capturing a fugitive. | ||||
| Best Supporting Actress | Namma Gramam | Tamil | Sukumari | ₹ 50,000/- |
| Citation: For the sensitive portrayal of an aged widow who challenges orthodoxy when crippling ritualistic restrictions are imposed upon her widowed teenaged granddaughter. | ||||
| Best Child Artist | Citation for the award: Four actors express with charm and heartbreak, the world of the child. | |||
| I Am Kalam | Hindi | Harsh Mayar | ₹ 50,000/- Each | |
| Citation: For performing with shining eyes and an urchin smile, the razor sharp spirit of a survivor who dreams of excellence. | ||||
| Champions | Marathi | • Shantanu Ranganekar • Machindra Gadkar | ||
| Citation: For their realistic portrayal of two gutsy brothers bonded by blood and responsibility, battling for survival in the underbelly of a heartless city. | ||||
| Baboo Band Baaja | Marathi | Vivek Chabukswar | ||
| Citation: For capturing the indomitable spirit of a young village boy who is hungry to learn in an environment that tries to close all doors on him. | ||||
| Best Male Playback Singer | Mee Sindhutai Sapkal ("Hey Bhaskara Kshitijavari Ya") |
Marathi | Suresh Wadkar | ₹ 50,000/- |
| Citation: For rendering with resonant emotion a soulful lyric, with a purity of musical expression and spiritual empathy. | ||||
| Best Female Playback Singer | Ishqiya ("Badi Dheere Jali") |
Hindi | Rekha Bhardwaj | ₹ 50,000/- |
| Citation: For a sensual and feeling rendering of lyrics that evoke a maiden's pining for the beloved. | ||||
| Best Cinematography | Adaminte Makan Abu | Malayalam | Cameraman: Madhu Ambat | ₹ 50,000/- |
| Citation: For the visual poetry that augments and reinforces the concern of the narrative and for unfolding the infinite vistas of nascent digital technology in the visual medium. | ||||
| Best Screenplay • Screenplay Writer (Original) |
Aadukalam | Tamil | Vetrimaaran | ₹ 50,000/- |
| Citation: For its kaleidoscopic blending of realism, tradition and contemporaneity, soaked in local flavour on an infinite canvas. | ||||
| Best Screenplay • Screenplay Writer (Adapted) |
Mee Sindhutai Sapkal | Marathi | • Anant Mahadevan • Sanjay Pawar |
₹ 25,000/- Each |
| Citation: For retaining the concerns and values of a biographical account even while translating it into the cinematic medium and honouring the essence of the original. | ||||
| Best Screenplay • Dialogues |
Mee Sindhutai Sapkal | Marathi | Sanjay Pawar | ₹ 50,000/- |
| Citation: For crisply bringing to life the textures of various characters through articulating their emotion and thought process. | ||||
| Best Audiography • Location Sound Recordist |
Ishqiya | Hindi | Kaamod Kharade | ₹ 50,000/- |
| Citation: For capturing the soft nuances of the artists' expressions and the multitudinous variations of the location ambience in a sensorial manner. | ||||
| Best Audiography • Sound designer |
Chitrasutram | Malayalam | Subhadeep Sengupta | ₹ 50,000/- |
| Citation: For imaprting a subliminal experience to the viewer through a sound design that weaves a rich tapestry of auditory perception as it rides in tandem with the visual abstraction in this cinematic creation. | ||||
| Best Audiography • Re-recordist of the Final Mixed Track |
Ishqiya | Hindi | Debajit Changmai | ₹ 50,000/- |
| Citation: For integrating the various components of sound design effectively so as to deliver a near-tactile experience that is at once real and artistic. | ||||
| Best Editing | Aadukalam | Tamil | Kishore Te. | ₹ 50,000/- |
| Citation: For the subliminal impact created by the use of montage so as to bring to the fore the thematic concerns of the narrative in a holistic manner. | ||||
| Best Art Direction | Enthiran | Tamil | Sabu Cyril | ₹ 50,000/- |
| Citation: For the style and finesse realised in the creation of a set design that is coherent with the futuristic visual style of the narrative. | ||||
| Best Costume Design | Namma Gramam | Tamil | Indrans Jayan | ₹ 50,000/- |
| Citation: For realising effectively the texture of a period in the history of modern India through minuscule attention to detailing. | ||||
| Best Make-up Artist | Moner Manush | Bengali | Vikram Gaikwad | ₹ 50,000/- |
| Citation: For the admirable detailing and remarkable consistency achieved in the etching of the characters who traverse an extensive time span. | ||||
| Best Music Direction • Songs |
Ishqiya | Hindi | Vishal Bhardwaj | ₹ 50,000/- |
| Citation: For the creative blend of rustic flavour and the Indian traditional music. | ||||
| Best Music Direction • Background Score |
Adaminte Makan Abu | Malayalam | Isaac Thomas Kottukapally | ₹ 50,000/- |
| Citation: For minimalistic use of appropriate background score that nurtures the essence of the narrative. | ||||
| Best Lyrics | Thenmerku Paruvakaatru ("Kallikkaattil Perandha Thaayae") |
Tamil | Vairamuthu | ₹ 50,000/- |
| Citation: For giving a meaningful expression to the narrative through contextual amplification of emotion. | ||||
| Best Special Effects | Enthiran | Tamil | V. Srinivas Mohan | ₹ 50,000/- |
| Citation: For bringing of age a spectrum of visual special effects in Indian cinema and thereby carving out a niche segment for the practitioners of this art form on the global map. | ||||
| Best Choreography | Zdroj:https://en.wikipedia.org?pojem=58th_National_Film_Awards||||