A | B | C | D | E | F | G | H | CH | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9
First Time Out | ||||
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Studio album by | ||||
Released | 1962 | |||
Recorded | April 12 & 14, 1962 | |||
Studio | Pacific Jazz Studios, Hollywood | |||
Genre | Jazz | |||
Label | Pacific Jazz PJ 52 | |||
Producer | Richard Bock | |||
Clare Fischer chronology | ||||
|
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Atlanta Daily World | favorable[2] |
Audio | favorable[3] |
Down Beat | ![]() ![]() ![]() ![]() ![]() |
Gramophone | "superlative"[5] |
Mademoiselle | favorable[6] |
Saturday Review | favorable[7] |
External audio | |
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First Time Out is the debut album by American composer/arranger/keyboardist Clare Fischer,[a] recorded and released in 1962 by Pacific Jazz Records.[9]
Reception
Aside from the overwhelmingly positive response that greeted Fischer's debut, the most pervasive reaction was sheer surprise; indeed, Down Beat's 5-star review dubbed it "the biggest surprise of the year."[4] As jazz historian and critic Martin Williams observes, writing in The Saturday Review:
First Time Out is from a rather unexpected source: it is a recital by a piano trio, led by Clare Fischer, a man previously known for his arranging and composing. Fischer's piano is not 'interesting,' as an arranger's piano is apt to be. It is much more accomplished than that."[7]
While struggling to pinpoint Fischer's pianistic forebears, finding elements of both Bill Evans and Dodo Marmarosa, critic Leonard Feather echoes Williams' essential point, noting Fischer's "complete command of the keyboard; unlike Gil Evans, Tadd Dameron, and other arrangers who are secondarily pianists, he can be judged entirely by a pianistic yardstick."[10]
Gramophone's review praises "this superlative album," in part for preventing Fischer from "becoming one of the most neglected figures in jazz."[5] The Atlanta Daily World's Albert Anderson stops short of such hyperbole, but does acknowledge his own surprise:
I knew well before reviewing this record that Fischer was a composer of note. What I didn't know, though, was that he is such an outstanding pianist. However, after listening to these tracks (five of which are Fischer originals), I was tremendously impressed by his facility with a tune - He plays with mastery, melody and perhaps, too, with his audience in mind. The latter is suggested clearly in shifting moods and tempos; there is never a dull moment.[2]
Track listing
All compositions by Clare Fischer except where noted.
Side 1
- "Nigerian Walk" (Ed Shaughnessy) - 7:02
- "Toddler" - 4:40
- "Stranger" (Gary Peacock) - 4:00
- "Afterfact" - 4:06
Side 2
- "Free Too Long" - 7:30
- "Piece for Scotty" - 3:13
- "Blues for Home" - 5:09
- "I Love You" (Cole Porter) - 5:13
Personnel
- Clare Fischer - piano
- Gary Peacock - bass
- Gene Stone - drums
Notes
References
- ^ "Clare Fischer: First Time Out (Overview)". All Music. Retrieved 2013-03-12.
- ^ a b Anderson, Albert. "Week in Records: Strictly Jazz". The Atlanta Daily World. October 23, 1962. Retrieved 2013-03-12 via Proquest.
- ^ Audio. Volume 47. 1963. page 68. Retrieved 2013-03-12.
- ^ a b "First Time Out" cover image. 'CD and LP. Retrieved 2013-03-12.
- ^ a b "1962 Review". Gramophone. Volume 41. 1962. Part 1 & Part 2 Retrieved 2013-02-22.
- ^ "1962 Review". Mademoiselle. Volume 56. 1962. Retrieved 2013-02-22.
- ^ a b Williams, Martin. "Pianists With Fortes". The Saturday Review. Volume 46. January 26, 1963. Retrieved 2013-03-12.
- ^ "'Charity Begins at the Tax Collector's". Downbeat. Volume 28. 1961. Retrieved 2013-03-12.
- ^ "First Time Out" LOC online. Retrieved 2013-03-12.
- ^ Leonard Feather's liner notes for Surging Ahead. livedoor Blog. Retrieved 2013-03-20.
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