Glossary of literary terms - Biblioteka.sk

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Glossary of literary terms
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This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.

A

abecedarius
A special type of acrostic in which the first letter of every word, strophe or verse follows the order of the alphabet.[1]
acatalexis
An acatalectic line of verse is one having the metrically complete number of syllables in the final foot.[2]
accent
Any noun used to describe the stress put on a certain syllable while speaking a word. For example, there has been disagreement over the pronunciation of "Abora" in line 41 of "Kubla Khan" by Samuel Taylor Coleridge. According to Herbert Tucker of the website "For Better For Verse", the accent is on the first and last syllable of the word, making its pronunciation: AborA.[3][4]
accentual verse
Accentual verse is common in children's poetry. Nursery rhymes and the less well-known skipping-rope rhymes are the most common form of accentual verse in the English language.[2]
acrostic
A poem or other form of writing in which the first letter, syllable, or word of each line, paragraph, or other recurring feature in the text spells out a word or a message. Example: An Acrostic (1829) by Edgar Allan Poe.[5]
act
An act is a major division of a theatre work, including a play, film, opera, or musical theatre, consisting of one or more scenes.[6][7]
adage
An adage expresses a well-known and simple truth in a few words.[8] (Similar to aphorism and proverb.)
adjective
Any word or phrase which modifies a noun or pronoun, grammatically added to describe, identify, or quantify the related noun or pronoun.[9][10]
adverb
A descriptive word used to modify a verb, adjective, or another adverb. Typically ending in -ly, adverbs answer the questions when, how, and how many times.[3][11]
aisling
A poetic genre based on dreams and visions that developed during the 17th and 18th centuries in Irish-language poetry.[12]
allegory
A type of writing in which the settings, characters, and events stand for other specific people, events, or ideas.[13]
alliteration
Repetition of the initial sounds of words, as in "Peter Piper picked a peck of pickled peppers".[14]
allusion
A figure of speech that makes a reference to or a representation of people, places, events, literary works, myths, or works of art, either directly or by implication.[14]
anachronism
The erroneous use of an object, event, idea, or word that does not belong to the same time period as its context.[15]
anacrusis
In poetry, a set of non-metrical syllables at the beginning of a verse used as a prelude to the metrical line.[16][17]
anadiplosis
The repetition of the last word of one clause at the beginning of the following clause to gain a special effect; e.g. "Labour and care are rewarded with success, success produces confidence, confidence relaxes industry, and negligence ruins the reputation which diligence had raised." (The Rambler No. 21, Samuel Johnson)[2]
anagnorisis
The point in a plot at which a character recognizes the true state of affairs.[18]
analepsis
An interjected scene that takes the narrative back in time from the current point the story has reached.[19]
analogue
analogy
A comparison between two things that are otherwise unlike.[20][21]
anapest
A version of the foot in poetry in which the first two syllables of a line are unstressed, followed by a stressed syllable; e.g. intercept (the syllables in and ter are unstressed and followed by cept, which is stressed).[22]
anaphora
anastrophe
anecdote
A short account of a particular incident or event, especially of an interesting or amusing nature.[23]
annals
annotation
A textual comment in a book or other piece of writing. Annotations often take the form of a reader's comments handwritten in the margin, hence the term marginalia, or of printed explanatory notes provided by an editor. See also adversaria.[2]
antagonist
The adversary of the hero or protagonist of a drama or other literary work; e.g. Iago is the antagonist[24] in William Shakespeare's Othello.[24]
antanaclasis
antecedent
A word or phrase referred to by any relative pronoun.[9]
antepenult
anthology
anticlimax
antihero
antimasque
anti-romance
antimetabole
antinovel
antistrophe
antithesis
antithetical couplet
antonym
aphorism
apocope
Apollonian and Dionysian
apologue
apology
apothegm

Also apophthegm.

A terse, pithy saying, akin to a proverb, maxim, or aphorism.[2]
aposiopesis
A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished.[2]
apostrophe
A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes absent from the scene.
apron stage
Arcadia
archaism
archetype
Any story element (e.g. idea, symbol, pattern, or character-type) that appears repeatedly in stories across time and space.[25]
aristeia
argument
arsis and thesis
asemic writing
aside
assonance
astrophic
(of one or more stanzas) Having no particular pattern.[3][11]
asyndeton
The omission of conjunctions between successive clauses. An example is when John F. Kennedy said on January 20, 1961, "...that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty."[26]
aubade
(French: "dawn song") A monologue which dramatically expresses the regret of parting lovers at daybreak.[2]
audience
autobiography
autoclesis
A rhetorical device by which an idea is introduced in negative terms in order to call attention to it and arouse curiosity.[2]
autotelic
avant-garde

B

ballad
ballade
ballad stanza
bard
A distinguished poet, especially one serving in an official capacity whose task it was, in many cultures of Celtic origin, to celebrate national events, particularly heroic actions and military victories.[2]
bathos
Bathos refers to rhetorical anticlimax—an abrupt transition from a lofty style or grand topic to a common or vulgar one—occurring either accidentally (through artistic ineptitude) or intentionally (for comic effect).[27][28]
beast fable
An "animal tale" or "beast fable" generally consists of a short story or poem in which animals talk. It is a traditional form of allegorical writing.[29]
beast poetry
belles-lettres
bestiary
A medieval didactic genre in prose or verse in which the behavior of animals (used as symbolic types) points a moral.[2]
beta reader
bibliography
Bildungsroman
A story that follows the psychological and moral maturation of the protagonist or main character from childhood to adulthood. It is a type of coming-of-age story.[30]
biography
blank verse
Verse written in iambic pentameter without rhyme.[11][31]
boulevard theatre
bourgeois tragedy
bouts-rimés
A versifying game originating in 17th-century France in which the idea was, given certain rhymes, to compose lines for them and make up a poem which sounded natural.[2]
brachiology
Terse and condensed expression, characteristic of the heroic couplet.[2] See also asyndeton.
breviloquence
burlesque
burletta
Burns stanza
Byronic hero
A type of character in a dramatic work whose defining features derive largely from characters in the writings of English Romantic poet Lord Byron as well as from Byron himself. It is a variant of the archetypal Romantic hero.[32]

C

cadence
In poetry, the rise or fall in pitch of the intonation of the voice, and its modulated inflection with the rise and fall of its sound.[33]
caesura
A break or pause in a line of poetry, dictated by the natural rhythm of the language and/or enforced by punctuation. A line may have more than one caesura, or none at all. If near the beginning of the line, it is called the initial caesura; near the middle, medial; near the end, terminal. An accented or masculine caesura follows an accented syllable, an unaccented or feminine caesura an unaccented syllable. The caesura is used in two essentially contrary ways: to emphasize formality and to stylize; and to slacken the stiffness and tension of formal metrical patterns.[2]
calligram
canon
A body of writings established as authentic. The term often refers to biblical writings which have been accepted as authorized, as opposed to the Apocrypha.[2]
canso
canticle
canto
A subdivision of an epic or narrative poem, comparable to a chapter in a novel.[2]
canzone
An Italian or Provençal form of lyric, consisting of a series of verses in stanza form but without a refrain, and usually written in hendecasyllabic lines with end-rhyme; or more generally, any simple and song-like composition such as a ballad.[2] See also chanson and madrigal.
captivity narrative
caricature
A portrait in literature (as in art) which ridicules a person by exaggerating and distorting their most prominent features and characteristics. Caricatures often evoke genial rather than derisive laughter.[2]
carmen figuratum
carpe diem
catachresis
The misapplication of a word, especially in a mixed metaphor.[2]
catalect
A literary work which is detached (or detachable) from the main body of a writer's work.[2] Compare analect.
catalexis
The omission of the last syllable or syllables in a regular metrical line; often done in trochaic and dactylic verse to avoid monotony.[2]
catastrophe
catharsis
caudate sonnet
cavalier poet
Celtic art
Celtic revival
chain rhyme
chanson de geste
A type of Old French epic poem popular between the 11th and 14th centuries which relates the heroic deeds of Carolingian noblemen and other feudal lords. Such works exhibit a combination of history and legend, and also reflect a definite conception of religious chivalry.[2]
chansonnier
A collection of Provençal troubadour poems in manuscript form.[2]
chant royal
A metrical and rhyming scheme dating to the Middle Ages and related to ballade forms. It consists of five eleven-line stanzas rhyming in the pattern ababccddedE, followed by an envoi rhyming in the pattern ddedE. There is also a refrain (as indicated by the capital letters) at the end of each stanza and including the last line of the envoi. Typically, no rhyme word may be used twice except in the envoi.[2]
chapbook
A form of popular literature sold by pedlars or chapmen, mostly from the 16th to the 18th centuries. Chapbooks consisted of ballads, pamphlets, tracts, nursery rhymes, and fairy stories, and were often illustrated with wood-blocks.[2]
character
characterization
charactonym
Chaucerian stanza
chiasmus
A reversal of grammatical structures in successive phrases or clauses; e.g. "His time a moment, and a point his space." (An Essay on Man, Epistle I, Alexander Pope) The device is related to antithesis.[2]
chivalric romance
choriamb
chronicle
chronicle play
cinquain
A five-line stanza with a variable meter and rhyme scheme, possibly of medieval origin.[2]
classical unities
classicism
classification
clerihew
cliché
An element of an artistic work, saying, or idea that has become overused to the point of losing its original meaning or effect, even to the point of being trite or irritating, especially when at some earlier time it was considered meaningful or novel.[34]
climax
cloak and dagger
close reading
A technique of literary analysis that relies upon detailed, balanced, and rigorous critical examination of a text in order to discover its meanings and to assess its effects.[2]
closed couplet
closet drama
collaborative poetry
colloquialism
comédie larmoyante
comedy
comedy of humors
comedy of intrigue
comedy of manners
comic relief
commedia dell'arte
commedia erudita
common measure
commonplace book
A notebook or journal in which a writer records ideas, themes, quotations, words, and phrases as they occur to them.[2]
conceit
concordance
confessional literature
confidant/confidante
conflict
connotation
consistency
consonance
The close repetition of identical consonant sounds before and after different vowels, e.g. "slip, slop"; "creak, croak"; "black, block".[2] Compare assonance.
contradiction
context
contrast
convention
coup de théâtre
couplet
Two lines with rhyming ends. Shakespeare often used a couplet to end a sonnet.[11]
courtesy book
courtly love
Cowleyan ode
cradle book
See incunabulum.
crisis
That point in a story or play at which tension reaches a maximum and a resolution is imminent. There may be several crises, each preceding a climax.[2]
cross acrostic
crown of sonnets
curtain raiser
curtal sonnet

D

dactyl
dandy
Débat
death poem
decadence
decasyllable
decorum
denotation
The most literal and limited meaning of a word, regardless of what one may feel about it or the suggestions and ideas it connotes (which may be much more affecting than or very different from its literal meaning).[2]
dénouement
The resolution or unravelling of the complications of the plot in a play or story, often following the climax in a final scene or chapter in which mysteries, confusions, and doubtful destinies are clarified.[35] See also catastrophe.
description
deus ex machina
A plot device whereby a seemingly unsolvable problem in a story is suddenly resolved by an unexpected and seemingly unlikely occurrence, typically so much as to seem contrived.[36]
deuteragonist
dialect
dialogic
A work primarily featuring dialogue; a piece of, relating to, or written in dialogue.[15]
dialogue
dibrach
diction

Also called lexis or word choice.

The words selected for use in any oral, written, or literary expression. Diction often centers on opening a great array of lexical possibilities with the connotation of words by maintaining first the denotation of words.[37]
didactic
Intended to teach, instruct, or have a moral lesson for the reader.[15]
digest size
digression
dime novel
diameter
dimeter
A line of verse made up of two feet (two stresses).[13]
dipody
A pair of metrical feet considered as a single unit. Dipodic verse, commonly found in ballads and nursery rhymes, is characterized by the pairing together of feet in which one usually has a stronger stress.[35]
dirge
discourse
dissociation of sensibility
dissonance
distich
distributed stress
dithyramb
diverbium
The spoken dialogue in Roman drama, as distinguished from the canticum, the sung part.[2]
divine afflatus
doggerel
Zdroj:https://en.wikipedia.org?pojem=Glossary_of_literary_terms
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