You can help expand this article with text translated from the corresponding article in French. (June 2018) Click for important translation instructions. View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at :fr:La Trinité (Raphaël et Le Pérugin); see its history for attribution. You may also add the template {{Translated|fr|La Trinité (Raphaël et Le Pérugin)}} to the talk page. For more guidance, see Wikipedia:Translation.

Holy Trinity is a fresco in San Severo chapel in San Severo church in Perugia, executed by Raphael and Perugino.

A commission from bishop Troilo Baglioni, the upper register was painted around 1505 by Raphael, showing the Holy Trinity surrounded by saints and angels. Vasari writes in Lives of the Artists:

...and in San Severo in the same town Perugia, a small monastery of the Camaldolese order, at the chapel of Our Lady, he Raphael completed the fresco of Christ in glory, God the Father with several angels and six seated saints, that is three saints on each side: St Benedict, Romuald founder of the Camaldolese order, Lawrence, Jerome, Maurice and Placidus; and in this work, which is considered as a very beautiful fresco, he wrote his name in big and very apparent letters...

He had not painted the lower register by the time he left for Rome and so this was added by Raphael's master Perugino in the 1520s. He added saint Scholastica, her brother Benedict of Nursia and John the Apostle to the left of the niche and Gregory the Great, Boniface and Martha to its right.

It is now in a poor state of conservation due to humidity, lack of conservation and damage from previous restorations by Giovanni Battista Cavalcaselle, Carattoli (1835) and Consoni (1871). At the bottom left of the altar is the inscription "RAPHAEL DE VRBINO D. OCTAVI/ANO STEPHANI VOLTERRANO PRIO/RE SANCTAM TRINITATEM ANGE/LOS ASTANTES SANCTOSQVE / PINXIT / A.D. MDV" and at its bottom left is a record of the work's completion in 1521.^[1]

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